This verse poetically reveals an intense mutual longing that captures the essence of devotion and celebration in a love relationship.
The verse concludes Song of Solomon chapter six by portraying a moment of longing and admiration toward the Shulammite, woven into a lyrical appeal: “Come back, come back, O Shulammite; Come back, come back, that we may gaze at you! Why should you gaze at the Shulammite, As at the dance of the two companies?” (v.13). This address to the Shulammite, who is possibly named for her origins in Shunem near the Jezreel Valley in Israel, highlights the rapt attention she draws from others. Traditionally attributed to King Solomon (reigned circa 970-931 BC), the text here suggests a scene of communal celebration where her presence is intimately connected to the rich imagery of love and graceful movement. Those calling her back are enthralled by her beauty and presence, yearning to behold the splendor of her dance.
In the broader context of the Song of Solomon, the Shulammite’s identity represents the bride who embodies both physical and emotional devotion. By saying, “Why should you gaze at the Shulammite, as at the dance of the two companies?” the speaker rebuffs the idea of desiring her solely for spectacle—implying that her beauty and worth are more profound than a mere performance. The “dance of the two companies” likely evokes a festive gathering, perhaps with dual choirs or groups celebrating. Within the book’s poetic narrative, this spectacle points to the joyful unity and affection weaving bride and groom together. On one level, the Song of Solomon is a biblical celebration of marriage and sexuality, reflecting deep spiritual and covenantal bonds.
From a theological perspective, some interpret the Shulammite’s beloved dance as a foreshadowing of the intimate relationship between God and His people—a theme carried into the New Testament where Christ is depicted as the bridegroom uniting with the Church (Ephesians 5:31-32). Such allusions underscore how the text uses passionate, evocative language to convey the beauty and exclusivity of marital devotion. The bride is not simply an object of admiration; she is cherished and invited into a shared celebration, reflecting both human and divine love.
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Song of Solomon 6:13 meaning
The verse concludes Song of Solomon chapter six by portraying a moment of longing and admiration toward the Shulammite, woven into a lyrical appeal: “Come back, come back, O Shulammite; Come back, come back, that we may gaze at you! Why should you gaze at the Shulammite, As at the dance of the two companies?” (v.13). This address to the Shulammite, who is possibly named for her origins in Shunem near the Jezreel Valley in Israel, highlights the rapt attention she draws from others. Traditionally attributed to King Solomon (reigned circa 970-931 BC), the text here suggests a scene of communal celebration where her presence is intimately connected to the rich imagery of love and graceful movement. Those calling her back are enthralled by her beauty and presence, yearning to behold the splendor of her dance.
In the broader context of the Song of Solomon, the Shulammite’s identity represents the bride who embodies both physical and emotional devotion. By saying, “Why should you gaze at the Shulammite, as at the dance of the two companies?” the speaker rebuffs the idea of desiring her solely for spectacle—implying that her beauty and worth are more profound than a mere performance. The “dance of the two companies” likely evokes a festive gathering, perhaps with dual choirs or groups celebrating. Within the book’s poetic narrative, this spectacle points to the joyful unity and affection weaving bride and groom together. On one level, the Song of Solomon is a biblical celebration of marriage and sexuality, reflecting deep spiritual and covenantal bonds.
From a theological perspective, some interpret the Shulammite’s beloved dance as a foreshadowing of the intimate relationship between God and His people—a theme carried into the New Testament where Christ is depicted as the bridegroom uniting with the Church (Ephesians 5:31-32). Such allusions underscore how the text uses passionate, evocative language to convey the beauty and exclusivity of marital devotion. The bride is not simply an object of admiration; she is cherished and invited into a shared celebration, reflecting both human and divine love.